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Works, books and sheet music with multiple authors from Delatour

181 works view works
ABBOTT Alain

Alain A. ABBOTT was born in 1938. he studied music at the Paris Conservatory in the Harmony, Fugue, Composition, and Teaching classes. In Olivier MESSIAEN's class, he obtained the Halphen Composition Prize, a Prize from the French Institut, and a GRAND PRIX DE ROME, all in the same year.
The catalogue of his works ( ~700 pieces ) includes pieces for Ondes Martenot, Percussion, Piano (THE WELL TEMPERED CLUSTER) Cello, Concert?Accordion (27 Preludes,4 Concertos with string orchestra) Double Bass, Saxophone quartet, Symphony orchestra, Harpsichord (Concerto to the Memory of Manuel de FALLA), and a opera CLOWN 'S AFFAIRS performed for televised broadcast in 1983, as well as pedagogical works. Alain A. ABBOTT is also AGREGE OF THE UNIVERSITY.

10 works view works
ABERDAM Eliane

Eliane Aberdam was born in Nancy, France. As a child, she studied piano and theory at the Conservatoire National de Region in Grenoble. She did her undergraduate studies in composition at the Rubin Academy of Music and Dance in Jerusalem.
In 1989, she entered the graduate program at the University of Pennsylvania where she studied with George Crumb, and obtained her Master degree in 1992. She completed her Ph.D. in Composition at U.C. Berkeley.
In 1998-1999, she taught composition, theory and Music technology at the University of Northern IOWA. Her works are performed in Israel, France and the United States. She attended music festivals such as The Bartok Seminar in Hungary, June in Buffalo, the Acadmie d't in Paris, and Voix Nouvelles in Royaumont (France).
In 1995, she was selected by IRCAM for the Annual Course in electronic music, and for the commission of "PaRDeS", an electro-acoustic work for chamber ensemble and electronics.
In 2000, the Ensemble Intercontemporain (Paris) commissioned and premiered the chamber orchestra piece "Quoi? Ce point." (after Primo Levi's semi-autobiographic novel "Periodic Table".
Her piece for band DOn't quIT, commissioned by the music department at George Washington University, was premiered in February 2002. In September 2003, her trio "Sans faiblir la nuit attend le soleil" was premiered in Grenoble by the trio ASSIEME, during the annual festival of jewish culture, organized by the Cercle Bernard Lazare - Grenoble. She has recently completed an opera, Tamar, (libretto by Maurya Simon) premiered in March 2007).
She is now teaching composition and theory at the University of Rhode Island.

Webpage of Eliane Aberdam :
http://www.composer.aberdam.com

4 works view works
ABOULKER Isabelle

Isabelle Aboulker is a french composer, born on 23 October 1938 in the Parisian suburb of Boulogne-Billancourt. Her father was the Algerian-born film director and writer Marcel Aboulker and her maternal grandfather was the composer Henry Février.
While following a course in composition and keyboard studies at the Conservatoire National Supérieur de Musique in Paris, she started composing for the theatre, the cinema and television. She then worked for the Conservatoire as their chief accompanist and voice teacher and authored several educational works.
In 1980 she turned to composing operas and subsequently many other vocal works. Because of her work with children, Isabelle Aboulker made a particular speciality of composing pieces which would appeal to them or in which they could participate, as they do in Les Fables Enchantées, based on the work of Jean de la Fontaine.
Other subjects have included Beauty and the Beast, Cinderella and Tom Thumb (Petit Poucet). Among her work for adults are two operas based on plays by Eugène Ionesco and settings of poems by Guillevic and Charles Cros. In 1998 she was commissioned by the Orchestre de Picardie to write the oratorio L’homme qui titubait dans la guerre to commemorate the 80th anniversary of the ending of World War I and this was subsequently chosen to represent France when Weimar became European city of culture in 1999.
To celebrate the second centenary of Honoré de Balzac’s birth that same year she was commissioned by the Grand Theatre in Tours to write the comic opera Monsieur de Balzac fait son theatre.
The 2011 contemporary classical album Troika includes Isabelle Aboulker’s song cycle “Caprice étrange”, set to poems written in French by 19th century Russian poets Mikhail Lermontov, Aleksandr Pushkin and Fyodor Tyutchev.

Webpage of Isabelle Aboulker
http://www.isabelle-aboulker.com

29 works view works
ACHARD Cyril

2 works view works
ADKINS David

DAVID ADKINS was born in Birmingham in the English Midlands. At the age of sixteen, he was recording music by Bach for London Weekend Television. At eighteen, he won an Organ Scholarship to St. Johns College, Oxford, where he obtained an Honours Degree in Music in 1980.
He went on to take a Postgraduate Certificate in Education and a Masters Degree in Composition at the University of London and embarked on a career in teaching. Since 1981, he has taught in various schools in south-east England while playing the organ in a number of Central London churches.
Between 1993 and 2002, he was Organist and Director of Music to the Society of Our Lady of Pewe, an ecumenical prayer group which meets in Westminster Abbey. David Adkins has given concerts in Great Britain, France, Germany, Belgium and the United States.
In 1995, the percussion section of the National Youth Orchestra of Great Britain played his composition Changes. He is currently Organist and Director of Music at the Church of St Saviour, Raynes Park, in south-west London. Several of his compositions have been published by Fagus in Scotland and by Broadbent and Dunn in England. The Book of Apostles is the first of his works to be published by Éditions Delatour.

4 works view works
AGARD Jean-Yves
AGER Andrew

A native of Ottawa, Andrew Ager is one of Canada’s most widely known composers, having had performances across Canada, the US, and in Europe. In his home country, his music has been performed by some of Canada’s leading ensembles, and he has been the recipient of numerous grants.
Possessing a strong interest in the “national voice” of his country, Ager seeks to express, in a number of his works, the richness and variety of the land. Having been raised at first in Ottawa, he was aware of the strong and enduring presence of the neighbouring Francophone culture, and later, having lived for some time in Nova Scotia, of the particular character of the Maritimes. His music is above all melodious and direct, characterised by a love of writing for specific performers and ensembles, as attested to by his numerous commissions.
As well, in his work as the Composer-in-Residence at St. James Cathedral, Toronto, he has been producing a steady stream of Liturgical music which is performed throughout the year. Ager is also well-known as an arranger, having had great success recently with his setting of La Paloma, performed in Paris, Madrid, Barcelona and Valencia by Canadian countertenor Mark Donnelly .
In Summer 2009 his “Revue for Studio Ensemble and Two Lounge Singers” (“Ellis Portal”) will be recorded by Talisker Players of Toronto for release this fall and in Fall 2010 he will perform with the same group for the premiere of a new comedy score for a Buster Keaton film.
As well, his arrangement for four-parts of "Jingle Bells" was recently featured at a VIP Screening of Disney Production's new remake of "A Christmas Carol".

Webpage of Andrew Ager :
http://www.aager.com

4 works view works
AGON Carlos

2 works view works
AGUT Pierre

Born in 1983, Pierre AGUT started studying music at the age of four, learning to play the piano. After a musicology course at Paris-La Sorbonne University he attended courses of musical writing (harmony, counterpoint, 20th century music) and analysis at the National High Conservatory of Music and Dance of Paris (CNSMDP). As a composer, Pierre AGUT wrote Cinq chants nocturnes for the Monsolo-Quintett (2007), Growing grain for the Klezele-Trio (2008, re-porformed by the Ensemble Itinéraire in 2010), Fermé pour travaux for voice and piano (2008), Track for piano solo (2010).

Webpage of Pierre Agut :
http://www.pierreagut.com

2 works view works
ALAIN Olivier

Olivier Alain was born in Saint-Germain-en-Laye, near Paris, into a musical family. Olivier studied at the Paris Conservatory, where he received first prizes in composition (1951, class of Tony Aubin) and musical analysis (1950, class of Olivier Messiaen).
In 1950, he became director of the conservatory in Saint-Germain-en-Laye. From 1960-1974, he served as director of the École César Franck in Paris, and in 1976 founded the Conservatoire National de Région in Paris, whose director he was until 1985, and where he taught classes in musical analysis and chamber music.
Olivier Alain's catalog of musical compositions contains almost 170 compositions of various genres, most of which is still unpublished. He also published a book on harmony and a monograph on Johann Sebastian Bach (Paris, 1970).
His comprehensive chronology and analysis of the life and complete works of J. S. Bach is still unpublished. His discovery of the 14 Canons on the first 8 fundamental notes of the aria from the Goldberg Variations (BWV 1087) in Strasbourg in 1974 is often regarded as one of the greatest Bach-source finds of the 20th century.

16 works view works
ALAIN-GOMMIER Marie-Claire
Marie-Claire Alain was born in Saint-Germain-en-Laye on 10 August 1926.
Her father Albert Alain (1880–1971) was an organist and composer, as were her brothers, Jehan (1911–1940) and Olivier (1918–1994). She began assisting her father when he played organ in the parish chucrh at the age of 11.
She studied at the Paris Conservatory in the organ class of Marcel Dupré, where she was awarded four first prizes. She also studied harmony there with Maurice Duruflé. She won the 2nd prize for organ at the Geneva International Music Competition in 1950.
She taught at the conservatory of Rueil-Malmaison and the Paris Conservatory.
Upon her death, the list of her students was described as a "who's who of the present-day organ world".
She was the most-recorded organist in the world, with over 260 recordings in her catalogue. Alain recorded the complete organ works of J.S. Bach three times as well as the complete organ works of over a dozen other major composers of works for the organ, as well as many individual works. She was devoted to the organ works of her brother Jehan, who died before she began her conservatory studies.
A recording of works for organ and trumpet with Maurice André was among her most popular. When her third recording of Bach's works for organ appeared in 1994, she explained to The Organ, a British journal, why she was recording them again: It's because of the instruments, the instruments above everything else, and the fine state to which they have been restored—and the fact that they are now accessible.
These recordings use instruments from Bach's time, and we know that Bach even played some of them—it's an extraordinary feeling, to put your hands on the keyboard, knowing that he was there 250 years before you! Alain had a long association with the St Albans International Organ Festival.
She succeeded her father as organist of the parish church of Saint-Germain-en-Laye after his death in 1971 and served for 40 years.
Marie-Claire Alain died on 26 February 2013 in Le Pecq, a suburb of Paris.

Scores published under the direction of
Marie-Claire Alain
click here
ALGOURDIN Jean-Luc

1 work view works
ALLA Thierry

Thierry ALLA was born in Algiers in 1955. He studied composition at the Bordeaux Conservatory, where he won a First Prize in the class of Michel Fusté-Lambezat in 1988 and a Firts Prize for electro-acoustcs in the class of Christian Eloy in 1993. In parallel, he studied musicology at the universities of Tours, Paris-Sorbonne and Rouen. In 2005 he presented a thesis on spectral music, under the direction of Pierre-Albert Castanet. Alla is one of the leading specialists in spectral music in France. As doctor of musicoly, he published Tristan Murail, la couleur sonore with Editions Michel de Maule. As music education teacher, Alla also teaches the history of music, analysis and computer music. As a composer, he has marked himself out through his work on tone-color and micro-intervals. He has received several state commissions and his works are regularly premiered in France and abroad (Japan, China, Australia, United States, Germany, Spain, Thailand, Ireland, Slovenia, Canada...).

http://thierryalla.wixsite.com/thierry-alla

5 works view works
ALTNIKOL Johann-Christoph

2 works view works
ALVADO Mathieu

Composer and arranger, Mathieu Alvado began to study piano at 5 and saxophone at 11. He studied music at the Bordeaux conservatory from 1998 to 2003, where he earned 6 first prizes (harmony, counterpoint, saxophone, musical theory, mchamber music and deciphering).
He continued his studies in orchestration, conducting and harmony in Saint Maur des Fossés conservatory before been accepted in Paris Conservatory in May 2004 where he received lessons from great masters like Thierry Escaich and has been graduated by 3 prizes (Harmony, Counterpoint and Fugue) while composing for many students movies. He composes and orchestrates for movies, for video games and for concert.
In 2012 he receives 3 Jerry Goldsmith Awards (Best Composer, Best Music in Short-Live Action and Best Song) for the score of «L’Attaque du Monstre Géant Suceur de Cerveaux de l’Espace».

Webpage of Mathieu Alvado :
http://www.mathieualvado.fr/Accueil.html

8 works view works
AMELLER André

Double bassist, teacher and director of music academy, speaker, conductor, composer, André Amellér dedicated his life to the defense of the Music and the musicians.
Born on January 2nd, 1912 at Arnaville, small village of Lorraine, in a family of amateur musicians, he is livened up from his youngest age by a burning will to become a professional musician.
After a few years of practice of the violin, the double bass will become his instrument of preference. His studies in the « Conservatoire National Supérieur de Musique de Paris » are concluded by many first prizes: double bass in the class of Edouard Nanny, musical composition in class of Roger Ducasse and Tony Aubin, orchestra conductor in the class of Philippe Gaubert, Music history in the class of Norbert Dufourcq.
In 1937, after a wide experience as instrumentalist with different well known symphonic orchestras, he entered the « Orchestre de l’Opéra de Paris » as double bassist. He leaves the position in 1953 to become director of the « Conservatoire de Musique de Dijon » until 1981. The capital of Burgundy owes him the promotion and fame of its CNR (Conservatoire National de Région), considered during this period as the anteroom of the CNSM of Paris.
Recognized by Darius Milhaud as one of his peers, André Amellér leaves with the heritage to the French music more than 400 works, covering all the instruments and groups, from chamber music to harmony orchestra and symphonic orchestra including two operas.

Association for the Music of André Amellér
Website: www.ameller.org

2 works view works
ANDLAUER Famille

2 works view works
ANDREATTA Moreno
My research activity focuses since several years on the relationships between mathematics and music. In particular, I'm interested in the algebraic formalization of musical structures and processes, a subject which was at the center of my PhD in computational musicology within the Doctoral Program entitled "Musique, Histoire, Société" and organized by the Ecole des Hautes Etudes en Sciences Sociales (EHESS), the Institut of Research and Coordination on Acoustics and Music (IRCAM), the Ecole Normale Supérieure (ENS) and the Conservatoire National Supérieur de Musique et de Danse of Paris (CNSMDP).
The thesis, entitled "Méthodes algébriques dans la musique et la musicologie du XXème siècle : aspects théoriques, analytiques et compositionnels", was supervised by Alain Poirier and defended the 12th of December 2003 at IRCAM with the score "mention très honorable et félicitations du jury".
The jury was composed by Gérard Assayag (computer scientist and Head of IRCAM Music Representation Team, my research laboratory during the period of the thesis), Marc Chemillier (computer scientist, ethnomathematician and ethnomusicologist at the EHESS), Guerino Mazzola (mathematician and music theorist at the University of Zürich and University of Minnesota), Jean Petitot (directeur d'Etudes at the Centre d'Analyse et de Mathématique Sociales (CAMS) of the Ecole des Hautes Etudes en Sciences Sociales and former Director of the Centre de Recherche en Epistémologie appliquée (CREA) at the Ecole Polytechnique), Alain Poirier (musicologist and former Director of the CNSMDP) and John Rahn (music theorist of the University of Washington at Seattle).
Since 1999 I am coordinating the Maths/Music activities within the Music Representation Team at IRCAM. In particular, I'm organizing since 2001 with Carlos Agon the MaMuX Seminar (Mathematics/Music and their relations with other fields) at IRCAM and since 2005 with François Nicolas and Charles Alunni the mamuphi Seminar (Mathematics, music and philosophy) at the Ecole Normale Supérieure in Paris.
Since 2006 I am editor (with Jean-Michel Bardez) of the "Musique/Sciences" Series (Ircam/Delatour France).
Founding member of the Journal of Mathematics and Music, the official Journal of the Society for Mathematics and Computation in Music (SMCM), I am also Editor (with Guerino Mazzola) of Springer Computational Music Science.
Since September 2009 I am responsable, with Mikhail Malt, of the two teaching units "Music and Science after 1945 (MSV)" and "Applications of Acoustics, Signal Processing and Computer Science to contemporary music creation (CMC)" within ATIAM, a Master Program which I am coordinating at Ircam.

More about Moreno Andreatta :
http://repmus.ircam.fr/moreno
ANDRIEU Michael

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