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In 1985, a friend of mine lost the manuscript of a first version of this piece. Seven years later, as he was packing to move into a new apartment, he found it and returned it to me.This original score disppointed me. Another seven years elapsed, during which a recurrent obsession pervaded my works: the need to write exclusively slow, lyrical movements. I then decided to deconstruct completely the first version, keeping only two slow movements which I decomposed, fusing them into a new form, a single flux punctuated only by a few short, rapid passages.
