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TI BOUT CREOLE is written for flute quartet and piano (or rhythm section, the left hand of the piano can be played by a double-bass). The 4th flute part, which must be played first and foremost on a G flute, is nevertheless playable on a C flute. The AABA theme is written on a slow biguine rhythm. Written "choruses", which also can be improvised, run from 16 to 16 bars, so that each musician can play a solo part.