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My Suite baroque was designed for a series of concerts in rural areas. This is why I chose to insert pieces from the 17th century instrumental suite such as the Allemande, the Sarabande and the minuet. The postlude refers to J.S Bach. This way of proceeding shows once again that it is possible to juxtapose two apparently opposed types of writing: tonality and atonality and consequently to establish a bridge between two distant eras while keeping a unity of the whole.
