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Preface by Bernard de Crépy
This book is aimed at Pop and Jazz musicians as well as Classical musicians, whatever their level. It is distinguished by the originality and simplicity of its approach, desacralized and iconoclastic, with constant back and forth between Classical and Jazz harmony. This approach allows everyone to succeed in writing, at the table, well constructed music that sounds good. This practical analysis tool has proven its effectiveness with many conservatory students, before they start writing lessons. The richness of the content of this method will also satisfy advanced musicians, who will find valuable information and insights.