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La traduction des émotions dans les musiques de films
Reflecting with humor on a thorny problem of musicology through a story sounds a bit surreal linking characters who should never have to meet. Such is the goal of this new comic-acoustic-musicology. The rationale for the minor triad has held many theorists and yet is not itself a subject entertaining.
I tried to trace the source of the problem, pushing up the absurd the recurring metaphor of the interval-object, especially to show that all notions solfégiques were not an absolute scientific validity.
Audio CD included