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Composed by Robert SCHUMANN around 1844-45, the Studies in Canon, Esquisses and Fugues in the name of B.A.C.H for pedal-board piano have been organists delight for over a century as they enable them to widen their repertoire. It is noticeable that sorne ofthese pieces have hardly been touched whereas others have been much more transformed, and that the order in which they be played one after the other. If desired, they cao be transfered to the original order without difficulty.
