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From the first reading of the poem, I found a connection with my score. Beyond the essential ideological correspondence, there is a sustained rhythm whose succession of word choices seemed to me to be related to the succession of my harmonies.
The only precise musical reference is the low note which begins and ends the cycle. The 4 Horizons pieces are nonetheless autonomous and conceived as such, both in terms of composition and listening.
Each piece has a title linked to a different art. part ° 1: Harmonie: the music; part n ° 2: Aquarelle: the painting; part n ° 3: Argentina: the dance; part n ° 4: Polychrome: the sculpture.
