4 pieces for flute and synthesizer

This piece is articulated around 4 pieces for flute and synthetiser, possibly interpretated separatly or, much better, linking one to another, and remains an ideal composition for contemporary chamber music.

The atonal style (independent) allows an utilisation of the different flute techniques, without excluding, in any case, sliding up to a quarter of tone. We are in the world of "Son-Relief" (relief sound) obtained, on the one hand, by the strengthening of shades, fusions and contrasts and, on the other hand, precise rythm effects (accelerations, slowing down, notes quickly repeated, etc.).

The synthetiser has go here a rather important role, the one of a noise background alive, with a precise text of which the artist can use who will choose his tones according to the indications mentionned. Let's remind it, everything must be in space, the one of the concert hall. Considering that, it will be firmly advised to use the speakers of this hall for the diffusion of the tones. This piece remains rather difficult considering the richness of the text, and mostly the synchronisation of the 2 instruments.

1 Très Modéré (03:00)

2 Assez animé (03:30)

3 Très modéré (03:00)

4 Animé (03:00)